From Bahrain to the Stars: Layan Raed Paints the Future with Courage and Color
- Majid Alhusseini
- 2 days ago
- 4 min read
Read More: Meet the Artists Keeping Islamic Art Alive
Bahraini artist Layan Raed, also known as Magnanimous by Layan, is a multidisciplinary creative whose work blends surrealism, science fiction, and a deep love for cultural storytelling. Drawing inspiration from astronomy, quantum theory, and her homeland, she crafts vibrant visual narratives that explore courage, curiosity, and imagination. From her viral Bahrain Barbie Land series to transforming Dubai into a dreamy dollscape, Layan’s art invites viewers on a journey through the unknown, reminding us that beauty, hope, and adventure lie just beyond the familiar.
Can you tell us about your journey into art? What first inspired you to become an artist?
Art has always been part of my life. I grew up in a creative family, so I was surrounded by it from a young age. But for me, it wasn’t just something I did—it became the way I processed the world. I’ve always been a really curious person, drawn to things like astronomy and science fiction, and that curiosity started to show up in my work. Over time, creating art became more than just an outlet—it turned into a way of telling stories, exploring emotions, and turning the unknown into something visual. It wasn’t a sudden decision to become an artist—it just made sense.
How has growing up in Bahrain shaped your identity as an artist?
More than people realize. Even when I’m painting galaxies or surreal scenes, something from Bahrain always slips in—a palm tree, an old doorway, maybe just the vibe. I could be painting another planet, but it’ll still somehow feel like I’m from here.
Who are some artists—local or international—that have influenced your style or themes?
Van Gogh, Storm Thorgerson, and Virgil Abloh—each one in their own way. Van Gogh for the emotion, Storm for the surreal visuals, and Virgil for how he blurred the line between art, culture, and design. But I’m also super influenced by music, sci-fi movies I rewatch 100 times, and my obsession with space and astronomy. My inspirations are honestly all over the place.
Are there recurring themes or symbols in your work that hold personal meaning?
Yes—space, planets, and surreal, dream-like visuals show up a lot. I’m drawn to the idea of being in-between places or states of mind. My work isn’t about telling a clear story—it’s more about creating a feeling or mood. I like leaving space for people to find their own meaning in it, whatever that looks like for them.
What kind of reactions or conversations does your art tend to spark with local audiences?
People usually say it feels like a dream or a memory they almost forgot. Some connect emotionally, others just like the escape. I’ve had girls DM me saying it made them feel seen, and that kind of thing really stays with me.
Do you create with a Bahraini audience in mind, or do you aim to reach a more global viewer?
Both, honestly. A lot of my work is inspired by where I come from, so there’s always something Bahraini in it, even if it’s subtle. But I don’t create with only one type of audience in mind. The emotions and themes I explore—like isolation, wonder, or nostalgia—are things anyone can relate to. You don’t have to be from here to connect with the feeling behind the piece.
What challenges have you faced in turning your art into a sustainable career?
A lot, honestly. For one, convincing people that art is a real job, not just a hobby or side thing. I also struggled with how to price my work fairly, especially in a place where creative work isn’t always understood or valued the same way. And I had to unlearn this idea that being an artist means constantly struggling. Once I started setting boundaries, respecting my time, and treating it like actual work, not just passion, things slowly started to shift. It’s still a learning curve, but I’ve come a long way.
How important is social media to your visibility and success as an artist?
It’s played a big role for sure. It gave me exposure, helped me connect with clients, and gave me a space to share my work and thoughts with a wider audience. I’m grateful for that. But at the same time, it can mess with your focus if you’re not careful. The pressure to constantly post or go viral can start to affect your creativity. I’ve had to learn how to use it as a tool without letting it dictate how or why I create. Some of my best work happened when I wasn’t thinking about algorithms or engagement, just creating because I wanted to.
What advice would you give to young Bahraini artists trying to monetize their work without compromising their creative vision?
Don’t water yourself down. The stuff that makes you different is probably your strength. Learn how to package and present it, but don’t change your whole vibe just to be sellable. Keep showing up—it adds up.
What’s your long-term vision as an artist, not just creatively, but also as a creative entrepreneur?
I want to keep pushing my work beyond the canvas—into more immersive, multi-sensory experiences that people can step into and feel: collaborations, installations, maybe even concept spaces. I’m also the founder of Creatives of Bahrain, a platform I started to support and highlight local talent. It began as a small idea, but it’s growing into something much bigger, and I’d love to keep building that alongside my personal work.
From the beginning of your journey until now, what are the 3 most important lessons you’ve learned?
1. Just start—even if it’s not perfect.
2. Take your art seriously if you want others to.
3. Keep growing—there’s always more to learn
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